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Quick Answer: Andrew Santino is a 43-year-old American comedian, actor, and podcaster with an estimated net worth of $3–5 million (2026). Tracker estimates range widely, from under $1 million to about $5 million; he built it across stand-up touring, acting roles on shows like Dave, and two hit podcasts — Whiskey Ginger and Bad Friends.
At a Glance
Biography
Andrew Russell Santino was born on October 16, 1983, in Chicago, Illinois, and raised by a single mother in the River North neighborhood. Comedy clubs were the way out. He started performing stand-up in Chicago, then moved to Los Angeles to pursue it full-time — the classic comedian’s migration, funded by whatever club money came in.
The money-relevant detail: Santino never depended on one paycheck. While auditioning for acting roles, he kept doing stand-up; while acting, he started a podcast; while podcasting, he kept touring. That three-legged structure — stage, screen, mic — is why his income survived the ups and downs that sink comedians who bet everything on a single sitcom. The early years were the standard grind: open mics, unpaid spots, and club sets that paid in exposure. The breakthrough to paid regular work came through television, but he never let the stage go — a decision that looks obvious now and was far from it then.
He has said publicly that he is married, though he has never named his wife and keeps her out of public view. No verified name or profile exists — and this article won’t speculate about her.
Career Highlights
- Mixology (ABC): an early network sitcom role; short-lived, but network money pays even when shows don’t last — and residuals keep paying when they stream.
- Sin City Saints, This Is Us and Beef: recurring and guest roles on streaming and network TV, each adding per-episode fees and keeping him visible between tours. He also voices the lead in the animated series Royal Crackers (2023–present).
- I’m Dying Up Here (Showtime, 2017–2018): a prestige cable role in a series about the 1970s comedy scene — fitting, and a step up in both visibility and pay grade.
- Dave (FX, 2020–2023): his biggest acting role, playing Dave Burd’s (Lil Dicky) manager and friend across three seasons. A multi-season cable series means per-episode fees plus residuals — the steadiest acting income of his career.
- Stand-up specials: Home Field Advantage, Cheeseburger (Netflix, 2023) and White Noise (Hulu, 2025, made with Peyton Manning’s Omaha Productions). A Netflix special doesn’t just pay a licensing fee — it functions as a two-hour commercial for tour ticket sales.
- Whiskey Ginger (2018–present): his interview podcast, recorded over whiskey with fellow comedians and actors — the foundation of his podcast business.
- Bad Friends (2020–present): co-hosted with Bobby Lee; one of comedy’s most downloaded weekly shows, with the two podcasts combined drawing over a million downloads a week, according to one tracker.
Sources of Income
Stand-up touring is the foundation. Santino tours nationally between his other projects, playing theaters — and theater tours are where working comedians make their real money. A sold-out 2,000-seat theater at $50 a ticket grosses $100,000 in a single night; the comedian’s cut varies, but across dozens of dates a year, touring is reliably his largest single income stream.
Acting salaries and residuals come second. Network and cable roles pay per episode, and a multi-season run like Dave means three seasons of fees — the kind of steady acting income most comedians never get. Shows like Dave and Mixology continue earning residuals when they stream or syndicate; those checks are small individually but arrive for years. Film appearances — The Disaster Artist, Friendsgiving, Ricky Stanicky, Now You See Me: Now You Don’t, a cameo in Happy Gilmore 2 and a role in Goat (2026) — add one-time fees. Acting income is lumpier than touring, but the residuals are the closest thing an actor gets to passive income: money for work finished years ago.
Podcast sponsorships are the growth engine. Two weekly shows with a combined million-plus downloads give him serious advertising inventory. The economics are straightforward: advertisers pay per thousand listeners (CPM), and comedy podcasts with loyal audiences command premium rates because listeners actually trust host-read ads. With two shows publishing weekly, Santino has roughly a hundred ad slots a year to sell — a media business hiding inside a comedy career. Live versions of Bad Friends also tour as stage shows, converting podcast listeners into ticket buyers.
Merchandise deserves its own mention because comedy merch has unusually high margins. T-shirts, hats, and show-specific items sold at tour stops and online go directly to the comedian’s business — no label, no studio taking a cut. For a podcaster with a devoted audience, merch can add a meaningful five or six figures a year.
There is a bigger point about the podcast economics. Before podcasting, a comedian’s audience belonged to the clubs and networks — access to fans was rented one show at a time. A hit podcast flips that: the audience is yours, directly reachable, every week. That ownership is why Santino can sell out live podcast tapings, move merchandise, and launch tours without a network’s permission.
Brand partnerships add another layer. A comedian with a loyal podcast audience is valuable to sponsors beyond the ad slots — live reads, social posts, and event appearances each carry fees. None of these are disclosed, but together they explain why the tracker estimates keep climbing even without a blockbuster acting role.
YouTube and digital revenue fill the gaps. Clips from both podcasts generate millions of views; one analytics tracker estimates his YouTube ad revenue alone at around $184,500 a year — their estimate, but directionally consistent with channels of his size. Brand partnerships and live-event appearances round out the picture. Beyond the two podcasts, he hosts the golf series No Bad Lies and, in 2026, teamed up with Bobby Lee on The Bad Game Show, a ten-episode unscripted series from All Things Comedy, which carries the same audience-ownership logic into produced television.
Net Worth History
The honest version: nobody knows the exact number, because Santino’s finances are private — no public real estate purchases, no disclosed investments. The spread across trackers, from under $1 million to about $5 million, reflects genuine uncertainty, not disagreement about facts. One analytics site puts his YouTube-derived wealth alone under $1 million, which shows how much of the real number lives in touring and podcasting — income that leaves no public paper trail. What is certain is the structure: three income streams, all active, all growing. That is a healthier financial position than a bigger number built on one show.
FAQs
How much does Andrew Santino make from his podcasts?
No public figures exist. With over a million weekly downloads across two shows, sponsorship income is significant — but per-episode ad rates are private deals, so any dollar figure published online is a guess.
What is Whiskey Ginger?
His interview podcast, running since 2018, where he talks with comedians and actors over whiskey. Bad Friends, co-hosted with Bobby Lee since 2020, is the bigger of the two shows.
Is Andrew Santino married?
Yes — he has said so publicly, but he has never named his wife and no verified identity exists.
Disclaimer: All figures are estimates based on publicly reported roles, touring activity, and tracker models — not audited financial statements. Per-episode salaries, podcast ad rates, and tour grosses are not publicly disclosed. Estimates vary widely across trackers.
Last updated: October 16, 2026.
Emily Dawson
Emily writes culture, entertainment, and people-focused stories with an instinct to look past the headline. She gathers context most quick coverage skips and uses it to give readers a fuller introduction to whoever or whatever she's covering. Her pieces favor depth and accuracy over the fastest possible take.
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